Selected work
Interiors
Full-home and apartment interiors, planned around how a family actually lives, then detailed to the last joint.
Our interior work starts with the plan, not the mood board. We resolve daylight, storage and circulation first, then layer material and craft so a home reads considered rather than styled.
Every interior below was drawn, visualised in 3D and reviewed by the Principal Architect before fit-out.
How we approach interiors
Three commitments, in that order.
An interior is one set of decisions taken in the right order. The order is what separates a home that works from one that photographs well.
- APlan before palette. Daylight, storage and circulation are settled first. That means where the family sits and what has to be put away. It also means how you move between the two at seven in the morning. Colour comes after that. No palette rescues a bad plan.
- BOne material family per home. A home reads calm when a small set of materials repeats: one timber, one stone, one metal, one register of fabric. Variety belongs in what a family collects, not in the joinery. It is also how the Indian vocabulary enters, as a jaali or a patterned tile chosen because it performs.
- CDrawn before it is bought. Every wall of joinery is drawn and dimensioned. Every room is visualised in 3D. The light and switch points are set on a reflected ceiling plan before a purchase order goes out. Expensive mistakes are decisions taken without a drawing.
Reading the set
What each home is doing.
DK Mansion. One bedroom wall carries the television, the storage and the light in one dusty-pink lacquered plane. A backlit niche frames the screen, leather knobs mark the drawers, and a fluted plinth lit from below makes the joinery float.
The Gandhi Residence. In Vijayanagar a bedroom is drawn as one taupe envelope. A panelled headboard wall carries fine brass inlay lines, and a slatted ceiling runs overhead. A desk built into the window bay lets the room double as a study.
Jain Heights. A board-marked concrete wall, tie holes left visible, faces blue and white patterned tile behind the hob. Timber-framed windows open onto green. Two honest materials do the work usually asked of paint.
The Hidden House. A book-matched stone slab behind the television is answered by a full-height slatted timber wall of lit niches. One is heavy, the other warm. A glazed edge lets the afternoon rake across the floor.
Rajkamal Elegance. A circulation wall becomes a library. Deep timber shelves are angled so the spines turn to face you as you pass. A white sliding wardrobe is framed in the same timber.
Vaswani Menlo Park. A small bedroom commits to one colour and stops apologising for it. A fluted panel sits behind the daybed, a wall-hung terrazzo bedside stands nearby, and a swing chair hangs against a painted disc. A window keeps the room from closing in.
From the portfolio to your home
Where this leads.
Questions
Common questions.
Do you take full homes only, or single rooms? +
Full homes and complete flats are the usual scope. An interior reads as one idea only when the same hand draws every room. We take single rooms where the work is substantial. We say plainly when a carpenter working to a drawing is the sensible answer.
Do you start from a bare builder handover? +
Yes, and it is the cleanest start we get, because nothing has to be undone. We begin with a measured survey of what the builder handed over. It is rarely identical to the sales drawing. Then we settle the plan and joinery before material is ordered.
Are these photographs or 3D visualisations? +
Both. Some are photographs of completed interiors. The rest are 3D visualisations produced during design. That is how a client sees a room before it is built. Each image description says so.
Planning a home or project like these?
Book a video consultation with the Principal Architect. We will talk through your space, your site or flat, and how we would approach it.